Theatrereviews
London,
Broadway and Off Broadway
Lord Olivier
British
National Theatre, Old Vic Theatre, London 1972
"As Bottom in -'Midsummer Night's Dream' -
as Costard in - 'Love's Labours
Lost' -
as Launcelot Gobbo in - 'The Merchant of Venice'
and Autolycus in - 'The Winter's Tale',
Jim Dale is God's gift to Shakespeare comedies."
"Scapino"
Directed by Frank Dunlop - Circle in the Square,
N. Y.
1974
"In Scapino, Jim Dale
is one
of the five or six funniest comedians
I have ever seen,
and if I should be
granted a dying wish,
it would be for a command performance by him -
so I could die laughing!”
Reviewer
John
Simon
“New York Magazine”
*********************************************
"Jim
Dale, actor, singer, dancer, acrobat,
vaudevillian,
composer, may very well be one of the most talented
and certainly the funniest comedians
in the annals of the theatre.
Special trains should be put on
to bring people into New York just to see Dale”
Reviewer
Myron
Galloway
“
Montreal
Star”
**********************************************
Jim
Dale
is the most brilliant lunatic on Broadway
since Bert
Lahr,
and his star-billing in "Scapino" merely reflects
the finest review of
any season, any time!"
Reviewer "New York
”
"Barnum"
Directed by Joe Layton St. James
Theatre New York 1981
" Jim
Dale is Toast of Broadway,
his performance was a display
of consummate showmanship"
Reviewer
Michiko
Kakutani
“New York Times”
*****************************************
"Jim
Dale
is a one-man, three-ring, four star circus.
He is a knockout, a great performer.
Many comedians pratfall, but
Dale
freefalls!"
Reviewer
Clive
Barnes
“New
York Post”
******************************************
Is
there anything that Jim
Dale
can't
do?
Last
night he roared into town in this new musical
and showed off enough tricks
to make all but a
Houdini
dizzy.
He transforms a gargantuan circus of a show
into his own joyous
playground."
Reviewer
Frank
Rich
New York Times
"The National Health"
Directed
by Michael Blakemore Nat
Theatre, Old Vic, London 1971
"As
the play began, a curly-haired scarecrow of an actor
danced out onto the stage,
and proceeded to do an outrageous vaudeville routine
about cadavers and bedpans, about doctors and death.
Wearing an oversize orderly's smock
he darted all over
the set,
pinching nurses and twirling hospital carts,
lobbing his lines like hand
grenades
into every pocket of the theatre.
And improbable as it sounds
he made
his macabre spiel seem funny.
In a matter of minutes a grim National Health ward
started to look like a circus.
The audience knew that it was in the presence
of
a galvanic talent.
His name - I committed it to memory at once -
Jim Dale"
Reviewer
Frank Rich
New York Times
********************************************************
"Then there is the incomparable Jim
Dale
as Barnet,
I'm not sure Mr. Dale isn't the best comic
actor Britain has."
Reviewer
B.A.
Young
, London
Financial Times
"The
Comedians"
Mark Taper Forum L.A.
“And it is
actor Jim Dale's garishly physical,
socially assaulting semi-mime and wholly
private,
demon-fed performance of a talent so individual
and brilliantly
frightening that momentarily bedazzles
this otherwise
ensemble production"
Reviewer
Ray
Loynd
“
L.A.
Herald Examiner”
***************************************************
"Jim Dale's
galvanic stage presence
as the most gifted of the students Gethin Price,
reaches it's climax in the second act.
It begins humorously, ends violently,
and is throughout brilliant."
Reviewer Patricia Burr
“South Pasadena
Review”
"Joe
Egg"
Directed by Arvin Brown Long Acre Theatre, New York
"Performers are supposed to appreciate fine acting
more than civilians, so
I'd advise you to beg,
borrow or steal any available ticket to "Joe
Egg".
Jim Dale and Stockard Channing are giving
the best performances of
their career.
Their performances are a lesson and example
to actors of every
caliber."
Reviewer
Michael Sommers
"Backstage"
*******************************************************
Welcome the
arrival of "Joe
Egg"
starring the spectacular duo of
Stockard
Channing
and
Jim
Dale.
I have seen many people play the role of
Bri,
but no one has quite encompassed its range,
from rage to impotence,
from
mockery to despair, like
Dale
.
He is matched at every point
by the wonderful loving
Miss
Channing.
You won't see better performances this season."
Reviewer
Clive
Barnes New York Post
“Privates
on Parade”
"Given a vital actor like Jim Dale,
and an audience will know instantly that it is
experiencing theater in the best
and most magical sense of the
word.
For however long we've been dutifully going to the theater,
hoping and
hoping (and failing) to see the real thing,
we recognize it at once when it
appears.
For
Mr. Dale,
'Privates on Parade' is an acting
coup......"
Reviewer
Laurie Winer Reviewer
Laurie Winer
"Travels
With My Aunt"
Directed by Giles Havergal Minetta Lane NY
"Only
Mr.
Dale
plays the lustful
Aunt Augusta
in a virtuoso performance that matches
in economy of gesture
and power of
suggestion,
Mr.
Dale, with a tilt of the chin,
a brush of the
hand, a precise inflection,
is conducting a master class in performing art."
Reviewer
Alvin
Klein
“New York Times”
"
Oliver!
Directed by Sam
Mendes London
Palladium
"What a 24-carat
asset
Jim Dale
is"
Reviewer
Jack
Tinker
Daily Mail
"It was
Jim
Dale's show, and for once
the standing ovation
-
the sine qua non of most first night's -
actually felt genuine."
Even if you
have to pick a pocket or two,
get hold of a ticket to see
Jim Dale's triumphant
return
to the West End stage.
Dale
has inherited the part of Fagin,
and this
production has unquestionably
leapt in stature as a consequence.
"Comedians"
Directed by
"Dale is so good and smooth in
Comedians
that it is a pleasure and a treasure to watch
this nobleman of
theater
as he attempts to guide his students
to readiness for their
performances.
He is all Music Hall posturing, inimitable diction,
and a face with just enough
mobility
to make you want more"
Reviewer
Jeannie
Lieberman
"Theatre Scene"
“Threepenny Opera”
Directed by
Scott
Elliot
, Studio
54,
New York
“But the performance of the night
and surely one of the performances of the season –
is Jim
Dale
as
Mr.
Peachum”.
Reviewer
Clive
Barnes
New
York
Post
************************************
“It takes a theatrical pro
to illustrate
what the show could have achieved.
Playing Peachum with a highly entertaining,
loose limbed oiliness, Jim
brings down the house"
Reviewer
Hollywood Reporter
"The
Road to Mecca"
Directed by Gordon
Edelstein
"Dale almost steals the show -
if it wasn't for Rosemary Harris up there, too,
he'd sneak home with the play."
Reviewer
Mark Kennedy AP
Drama Writer
***********************************
"But
Dale was a revelation to me.
His Marius is crystal clear every step of the way.
Dale slowly reveals layers and layers
to deepen our understanding of this
man."
Reviewer Michael Giltz, Huffington Post
***********************************
"Dale,
a great treasure of the theater,
is deceivingly brilliant as Marius."
Reviewer
Hollywoodsoapbox.co
One of the very best reviews
any actor could
possibly receive.
by
John Simon
New York theatre critic, 5th. June 2014
"Just Jim Dale"
Directed by Richard Maltby
What
a relief to come to the marvelous “Just Jim Dale,”
as good a solo show as
you will ever see,
which I cannot commend and recommend highly enough.
Jim Dale may just be the most charming farceur
to tread the boards, while also triumphing
on both the big and little screen
to say nothing of his brilliant recorded readings
of the seven Harry Potter
novels, in which he manages
a different, equally splendid voice for
all two hundred plus
characters.
But let’s get back to charm.
This usually comes with high comedy
a la Noel Coward or Cary Grant, or,
more
Gallicly and bedroomily, by Charles Boyer.
It almost never comes with unabashedly
low or middle-range farce,
dazzlingly
elevated to the heights attained by Jim Dale,
as he holds you in his palms, his feet, his whole body
for two uninterrupted
hours,
leaving you wallowing in laughter
but perfectly game for any number of hours
more.
Dale sings and
clowns, dances and jests with delicious patter,
and moves with an anthology of comic walks, gestures,
and even the odd pratfall, right onto your funny bone
and into your heart. And when I say funny bone,
I don’t mean merely that spot on your elbow,
but every bone and muscle making you shake with laughter
to make the rafters
ring.
The
show is essentially Dale’s telling and reenacting
of his life and stage story, and how a boy,
with working-class parents,
worked
himself up through hard training
to the summits of showbiz,
to Britain’s beloved Music Hall and beyond it
to every possible medium,
including Shakespeare and Molière,
displaying matchless movement, terrific timing
and those oodles of charm which only inborn talent
and hard work
lightly worn can attain.
Richard
Maltby, Jr. has contributed skilled direction,
and Anna Louizos a handsome
backdrop.
But mostly it’s the genius of just Jim Dale.
He has “forged in the smithy of his soul”
(phrase by James Joyce)
not
just “the conscience of his race”
(Joyce again),
but also the conquest and conveying
of the summits of comedy.
It
is impossible to impart all this
through mere printed words;
you must catch
“Just Jim Dale”
and experience it firsthand.
What you see and hear
will stay with you as a touchstone
for as long as you are
capable of joyous remembrance.
The
“Just Jim Dale” team is directed
by Tony-Award winning director
Richard Maltby, Jr.
Pianist Mark York
Musical Director Aaron Gandy.
Awards
Jim's Biography Audiobook
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